"Columbus and the World" by Prof. Gianni Eugenio Viola in "Italian Journal" (1991, Vol. V, No. 5/6, pp. 3-4) It is now possible to state that--barring a finding of exceptional importance symbolically equal to the first crossing-- Columbus's deeds and voyages have been totally researched from historical, philological and iconographic points of view. History tells us that Columbus was a great sailor and cartographer. We can separate facts from legends as they exist about him and are in the position to define his religiosity and, on the basis of scientific research to pinpoint the events which followed the first landing. We can say that none of the many available portraits of Columbus are correct or authentic. True to reality appears to be only the description given by Las Casas and by his son Fernando; they said that he was tall, well built, with a long face and pronounced nose, with fair hair, very white skin and light eyes (maybe light blue eyes). We now pursue very sophisticated research methods, but sources are extremely limited. For example, we still have no adequate details as to the exact cause of the spread of syphilis, which swept through Europe after the discovery of America. It seems more likely that it was brought to the old world by shipmates of Columbus's first two voyages. It seems that more than half of the crew of the second expedition was affected by the disease; in less than three years it spread through the Army of King Charles VII of France; his soldiers brought it all the way to southern Italy when they laid siege to Naples. The Italians called the disease the "French disease," and the French referred to it as the "Neapolitan disease." It was a deadly disease but, for hundreds of years no one gave any thought to the crucial consequences of the interaction of biological conditions of two different worlds. Today we know for sure that the disease was moderate even though endemic among the Indian natives with whom Columbus's sailors had contacts. However, it developed into an unknown and deadly pathology with the Europeans. It is not inconceivable that a similar phenomenon is at the root of an equally deadly disease that appeared suddenly in recent years. Research conducted during the last century also permitted a total re-examination of the Columbus era. Its results are documented in two great exhibits in New York and Washington, which celebrate the five hundredth anniversary of Columbus's first voyage. The Washington exhibit at the National Gallery, conceived by Carter Brown, the director of the museum, is titled Circa 1492. There we see art objects and cultural documents of relevance from every corner of the globe since the time of Columbus's voyages. This exhibit, which has been visited by hundreds of thousands of visitors, has spurred admiration and conflicting comments. Imagining the New world: Columbian Iconography, the exhibit at the New York Historical Society (New York's oldest museum and one of the oldest museums in the United States), which opened in November 1991 and will remain until the end of January 1992, is smaller and to the point. This exhibit offers an overview of how European, and especially Italian artists imagined the flora, and the fauna, the cultures and the religions of the new continent, often on the basis of imagination and prejudices rather than on reliable documentation. These artists developed a fascinating imaginary world with popular beliefs influencing sophisticated artistic representation. Both exhibits are the result of new knowledge about the times and prevailing conditions about 1492. The first one documents the world of the visual arts with an extraordinary number of objects. The second one narrates and documents history more extensively, as it refers to the collective imagination of an entire century--the century following the discovery. This period is chronicled in paintings, prints, manuscripts, and books of all kinds, and even in maps and nautical instruments. It took a century for the reality of the new world to take hold in the European imagination and for the imagination to yield to description. We may connect the birth of science and the growing need for the accurate descriptions necessary to replace the fancies of the first decades. This connection was rarely noted but there is little doubt that great progress was made on the basis of scientific methods and rational or empirical criteria, on documented reality, on direct observation and proven methodologies underlying diversities. The great literature about travels and discoveries led, after three centuries, to mass tourism and the development of the rapid means of transportation at the beginning of our century. Great writers focused on Italy during the eighteenth and nineteenth centuries. Italy celebrates the five hundredth anniversary of the encounter of the old and the new worlds with a series of events which underscore the theme of the Columbian adventure in a totally new way. It is well known, for example, that since 1892 (and in the following years) the philologist Cesare De Lollis published the "Raccolta Colombiana", a work of unsurpassed value which sets in order and critically discusses the available sources on Columbus. To celebrate the five hundredth anniversary a "Nuova Raccolta Colombiana" has been published: it is a totally new interpretation of the De Lollis studies, under the direction of Paolo Emilio Taviani. The "Nuova Raccolta Colombiana" was presented to the public for the first time in April 1991 at the Accademia dei Lincei of Rome. It will be available in the USA early in 1992. It is no coincidence that the work that celebrates the discovery of the new world was presented at the Academia dei Lincei, founded by Cesi and inspired by Galilei, two heroes of the new science. There is, moreover, a great variety of local and general exhibits including a most important one with materials from the Vatican--which will culminate in a large exhibit in various Genoa locations. An exhibit with great impact will certainly be the one in the Palazzo Ducale on the theme of Due mondi a confronto (Two worlds facing each other) that will be inaugurated around the middle of 1992. In this context--and even the fact that every available source has been exhaustively researched--Columbus emerges as the dominant figure in the history of exploration. The Italian school (and especially Taviani) refers to Columbus as a "genius of the sea" with historical documents putting an end to old debates and prejudices. Columbus's position in history attains the fixity deserves; progressively mysterious areas acquire heroic and dramatic dimensions, particularly in relation to the fourth voyage and the death of the explorer. There are aspects of Columbus's life that are tainted with irony or defy rationality. Having sailed westward for the last time on May 11, 1502, Columbus was about to complete the discovery of America by discovering the Pacific Ocean. His Indian interpreters in Panama, which he named Veragua, told him about a great Sea on the west coast. It was a matter of trekking westward for a few days. Columbus, however, did not have the courage to split his crew for such an undertaking. He returned from the fourth voyage in November 1504. His hair had turned gray and he was fatigued when he tried to see his protector of old, Queen Isabel. But the Queen had reached the end of her life and died on November 26, before the Admiral--as Columbus had signed for several years-- could see her. It also proved difficult to see the King again. Ferdinand did not particularly appreciate a foreigner to whom he had to pay one tenth of the revenue from the gold and spices of the new lands (a concession made in 1492 before the departure of the first trip which the King eventually attempted to invalidate); he was determined not to reinstate him in the role of Viceroy. Columbus, however, considered himself a man of the court and decided to stay close to the King until the end. Finally he moved to Valladolid where he died on May 19, 1506. His will is signed "Don Cristobal Colon, Admiral, Viceroy and Governor of the islands and of the mainland that have been discovered and that are still awaiting to be discovered." In his last days, Columbus sent another request to Pope Julius II (who had just been made pope and was also from Genoa) requesting that he be reinstated in his privileges; Columbus even enclosed a sketch of the American coasts by Bartolomeo (his younger brother and companion in his exploration). On the drawing showing the South American coast, he wrote the words "Mondo Nuovo" (New World). His mortal spoils were buried at Las Cuevas. In 1544, they were moved to the cathedral of Santo Domingo, the city founded by Bartolomeo. Faith was elusive to Columbus even after death: when the French came to Haiti in 1796 his body was taken to Havana. When the U.S. took over Cuba in 1899, Columbus's remains were meant to be moved to Seville. However, toe body taken to Seville was not that of Columbus, but of his son Diego Colombo who originally had also been buried in Santo Domingo. The body of Columbus is therefore still in the "Mondo Nuovo." And this is a definition which implies the trepidation and surprise of a man who finally realized that--with his voyages--he had opened the door to a New World. Reprint permission granted by the author and the publisher.